Photos by Teresa Hattaway.

We had come up with the concept of using a fisheye lens photo for the cover. Although it looked plenty bad, it didn't look crazy enough. These were tinting and distortion tests (done in the pre-PhotoShop days in actual film development process). Eventually we used a negative tinted green, then mirrored, then rendered, giving it the appearance of an inkblot test. The final one above is a true "cut and paste" job where we were sticking on different heads from various shots.

The lettering for the title was by John O'Neal, who did use a computer graphics program to compose the final cover, which included all the lyrics and album credits inside, as well as a live shot from the 02.16.92 Sunday Night Graveyard Shift
gig at the Rocket Club.